Our journey began in 2021, in the midst of a global pandemic that tested the fortitude of even the most resilient nations. In Montenegro, a country that was both the last to be touched by the virus and the first to rid itself of it, I found a reflection of the same indomitable spirit that drove the villagers of the 15th century to tattoo their children with symbols of protection against kidnapping and trafficking by the superstitious invading Ottoman forces. These ancient Illyric designs, with their cosmological patterns of suns, moons, and geometric shapes, had been largely forgotten by the modern world—until now.
The first campaign was born in the wild uncertainty of the pandemic. It featured five hand-painted models in feral, untamed styles, emerging from the woods like warriors of old. The hair and make-up was raw and unrefined, with bold looks and graffiti backgrounds that captured the chaotic energy of a world in flux.
By contrast, the next iteration two years later offered a vision of feral sophistication. Set against the backdrop of Jetty One in Porto Montenegro, where super yachts anchor in opulence, we dressed our models in striking black and white, their bodies adorned with the large, expressive geometric symbols of Balkan tattoo design. With statement pieces by Naeem Khan, known for dressing icons like Michelle Obama, the shoot combined high fashion with ancient symbolism, creating a visual narrative that was both powerful and poetic.
The final installment reflects a maturation of both the concept and the culture it represents. This time, we turned the lens on a single model, a woman in command. Dressed in elegant black, her tattoos are subtle, delicate, and modern—tiny cultural tokens that echo the understated fashion of today’s professional women. With her protective dog by her side, the imagery speaks to a refined strength and cooperation with nature, a quiet resilience that has carried the Balkan people through centuries of hardship